jdorama 2018 winter season
15 Jan 2018 06:22 pmFinal Cut
(Kamenashi Kazuya, Kuriyama Chiaki etc) First episode 7.2%
The rumour is this was supposed to be the finally entry to Kusanagi Tsuyoshi’s revenge trilogy (Zeni no Sensou and Uso no Sensou being the first 2) and because of SMAP’s messy dissolution, Kame took over along with a different script-writer. I tried watching Uso no Sensou and had to fast-forward through the first episode…and this is exactly what I did here. The character’s special skill is supposed to be “parkour” but apart from a show-off sequence in the beginning, the parkour does not feature again, which just makes the isolated sequence rather imi-wakanai. I’m not an awfully big fan of Kusanagi’s acting (I think if you have to squint or twitch your eyebrows to show emotion, something’s not done right), but Kame just doesn’t bring the audience into this character. The climax in the first episode was so ludicrous it throws you out of the rhythm (despite it being Kame’s most eye-gripping appearance in the episode). The most appealing thing so far about the series is the two sisters, acted by Kuriyama Chiaki and Hashimoto Kanna. They’re so adorable I can watch them for another 9 episodes…but I really don’t think this drama is for me.
Unnatural
(Ishihara Satomi etc) First episode 12.7%
This is not Ishihara’s first time as a forensic pathologist, if anyone still remember the tonally mild but surprisingly reflective Voice (with Eita and Toma) before she went down the sexy route for a few years. The thought behind this series is that Japan has amongst the lowest referrals to Coroners in the developed world, and a fictional forensic pathology department is created to deal with unnatural deaths. Fortunately it’s fairly light on the visuals of the autopsies and is mostly about case-solving. Ishihara’s character appears to also be harbouring some sort of dark past. The first case, for the premiere episode, was rather unexciting but the pace was good and the characters are easy to relate to. It’s nice (and realistic) for it to show pathologists cracking inappropriate jokes instead of taking a morbid profession too seriously.
Momi Keshite Fuyu
(Yamada Ryosuke, Haru, etc) First episode 13.3%
There’s a lot to like about this drama but the overall direction leaves you scratching your head. At its surface it’s a comedy family drama, and Yama-chan takes to the role with aplomb. Haru and Ozawa Yukiyoshi are also great respectively as the mean sister and self-centered brother. The characters overall are quirky, cute and watchable, and characteristic of the scriptwriter who brought you Sekaiichi Muzukashii Koi. The plot is where it leaves me confused. As a family drama, you’d expect if it were to have a moral message, it would at least be a correct one - but the main character, who is looked down upon by his family for his earnestness, saves the family by doing something unethical and frankly illegal, and yet is rewarded for doing it? In the end it leaves you confused as to what the drama is trying to do or say, and it’s rather worrying when a lawyer successfully convinces a police officer that “family overrules the law”, and a doctor says that it’s okay to steal confidential medical information and use it to blackmail people. It seems like only the bullied main character is “good” but in the end he is forced to compromise on his goodness…it just does not make sense in a comedy.
99.9 Season 2
(Matsumoto Jun, Kagawa Teruyuki, Kimura Fumino, etc) First episode 15.1%
The first episode had the problem that many sequels have, and that’s trying to introduce everyone to new audiences, and trying to appease old audiences with familiar gags, and trying to suggest there are interesting subplots to keep watching for, while trying to fit in a whole story arc in between. There’s more dad jokes in this episode than there was in the whole first season, and they’ve got to pull the reins before it gets ridiculous. MatsuJun and Kagawa are now really comfortable in their roles and with each other, and their banter continues to be the highlight. I do like Kimura, but it feels like this scriptwriter isn’t very good at writing young female regulars - neither Eikura Nana’s role from last season nor Kimura’s this season was particularly interesting especially between 2 quirky men, and Kimura’s role doesn’t delineate from Nana’s role enough to really make you care for the change. Even the female paralegal was more interesting than her… One of the major loose ends last season was Miyama’s father’s story got brought up regularly throughout the show but was never resolved, and it looks likes this season (hopefully) it will get somewhere. Nevertheless, this is the top of my watch list for the season, if only for Kagawa-san trying to terrify MatsuJun in a pink grasshopper bodysuit.