mayoraasei: (Gintama)
[personal profile] mayoraasei
I actually garbled a lot about this after watching it yesterday, so I'm in a bit of a word-drought regarding it.

I think people are fairly divided as to which was the best Marvel "Phase One" pre-Avengers movies - while the majority seem to favour Iron Man, a large number are divided between Captain America and Thor - which is a good thing, really. It is after all a huge franchise, and you can't appeal to everyone at once - so the next best thing is to appeal to different people with different franchises.

Personally I thought Captain America was a weaker outing for Marvel. Something about him just didn't quite connect with me, and while the underlying message echos with anyone who had ever been bullied, the rushed and perfunctory 3rd act left behind a generally sour taste. Added to that, while all of the characters were cheerfully likeable, none of them were all that memorable.

The Winter Soldier is a much more...heroic movie, in the sense that all major characters had a moment to shine. You don't remember Steve Rogers for dancing around the stage in tights and leather boots, but you will remember him for silently analysing the crowd who joins him in the elvator, before he laconically wonders aloud, "Before we get started, does anybody want to get out?"

I don't think the movie passes the Bechdel's test, but as someone had pointed out, at least 4 important hanging-by-the-thread rescues were engineered by the strong female cast. For once, there's more than just Black Widow kicking ass, too, even if she does the bulk of it. The Black Widow actually gets a bit more beefed out in her role. Scarlett Johansson's particular shade of carrot is still disagreeing with me, but she's no longer the token female ninja warrior, and saves Steve's ass in more ways than just physical combat.

In a sense, The Winter Soldier is almost an ensemble movie, though not quite. Whereas Thor was very much self-dependent, a lot of the plot in The Winter Soldier could not have happened if it was just Steve Rogers alone. Steve is a much more reactionary character than his superhero peers, though that is not exactly surprising given his role and his inherent inclination to trust people.

My only disappointment is that I feel I still don't have a grip on Steve's character. He's selfless, yes, but he also has very personal attachments. It won't be the first or second time he's run after Bucky into danger. But at the same time he's also the person who can detachedly tell his comrades that he was going to 1) crash his ship, 2) shut off the space portal with Iron Man still stuck outside or 3) bomb the ship he's still on. I feel there's some sort of conflict in this, that in crisis he can make these noble, difficult and somewhat emotionless decisions - and yet he seems very much driven by compassion and emotion.

However, whereas the first movie like a awkward tie-in with The Avengers and hence leaving a bad taste behind, the gigantic SPOILER that happens at the end of this one capped it for me. It was brave and promises new directions and new battles and new stakes. The problem with success is that once you find it, you become terrified of changing, and you reach a state of stasis that inevitably degenerates into tedium and disappointment.

The fact that Marvel was keen to ruin one of the most convenient and in a way stabilising existences in their universe was encouraging to see. I think the issue with Marvel and in particular their formula of a villain lasting only one movie ends up with some poorly developed villains but also movies that don't have any sense of stake. You know your heroes will survive.

I hope in the near future (though when I say near, that will still be at least 2 movies away) the stakes become higher and it would be great to see one or two heroes being written off the roster. It's not a thriller unless no one is sure that everyone will still be there at the end.



Edit August 2014:
Captain America: The Winter Soldier blu-ray proves that this is a film that still performs on rewatching. Even after transitioning to the small screen, the iconic action sequences - the Lemurian Star, the car chase, the elevator scene and the other car chase - are still gripping and intense. The Nick Fury car chase sequence loses some of its majesty (though I'm not sure that's the correct adjective) but still keeps you on the edge of the seat throughout the whole ten minutes.

Action aside, the story has enough nuances to still feel fresh on repeat. A good artist does not pass judgement; he merely raises debate. There's something patronising about impressing a message into a movie that will be screened across the world in different languages and cultures, and most mainstream movies avoid that for commercial reasons more than anything else.

Nevertheless, the ethical dilemma raised in the movie is still thought-provoking the second time around. The concept is not new - I'm sure I've seen it in any number of Japanese and Hollywood dystopian settings - and it's frightening because of its familiarity and imminency. What if, you could eliminant threats before they happen? What would you sacrifice for security? Freedom? Privacy? The presumption of innocence? Can you really reduce an individual down to a mathematical equation of probability?

On second viewing, I think my disappointment lies with the titular Winter Soldier. As the directors said on commentary, the hero is often only as good as the villain. Tony Stark has managed thus far with terrible villains because he's actually his own worst enemy. Thor was only interesting because Loki was fascinating. Everyone is an enemy to each other in ensemble movies like The Avengers and Guardians of the Galaxy so the point is moot.

I think the Winter Soldier could have been more, yet at the same time I don't think they could have fit any more without slowing the pace down too much. I hope this is addressed in the next movie because it would make up for what's lacking in this movie - the dynamic between Cap and Winter Soldier, the tragedy and disbelief and the see-sawing between trust and mistrust that made the Thor-Loki dynamic so magnetic. The Winter Soldier was a terrifying menace, and Sebastian Stan did bring a hint of vulnerability in the rare moments that his character was exposed, but there was not much more.

That said, the Steve-Bucky bromance is probably the least convincing of all I've seen. Oddly, the Steve/Sam dynamic is the most natural brothers-in-arms of the lot. Tony/Rhodey always has a sense of vague insincerity in that Rhodey has a conflicting obligation to the army, and he seems more exasperated with Tony than friendly.
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